نقش بارز عالى جـ نقوش - ترجمة إلى إنجليزي
Diclib.com
قاموس ChatGPT
أدخل كلمة أو عبارة بأي لغة 👆
اللغة:     

ترجمة وتحليل الكلمات عن طريق الذكاء الاصطناعي ChatGPT

في هذه الصفحة يمكنك الحصول على تحليل مفصل لكلمة أو عبارة باستخدام أفضل تقنيات الذكاء الاصطناعي المتوفرة اليوم:

  • كيف يتم استخدام الكلمة في اللغة
  • تردد الكلمة
  • ما إذا كانت الكلمة تستخدم في كثير من الأحيان في اللغة المنطوقة أو المكتوبة
  • خيارات الترجمة إلى الروسية أو الإسبانية، على التوالي
  • أمثلة على استخدام الكلمة (عدة عبارات مع الترجمة)
  • أصل الكلمة

نقش بارز عالى جـ نقوش - ترجمة إلى إنجليزي

NECROPOLIS IN FARS PROVINCE, IRANIAN NATIONAL HERITAGE SITE
Naghsh-e-Rostam; Nakshi Rustam; Naksh-i-Rustam; Persian cross; Naqsh-e-Rostam; Nakhsh-e rostam; Nakhshe rostam; Naksh-i Rustam; Naqsh-i Rustam; Naqshe Rostam; Naghshe Rostam; Naqsh e Rostam; Naqš-i Rustam; Iran Sun Cross; Iran sun Cross; Naqsh-i-Rustam; Rustam Relief; نقش رستم; Naqshe Rustam; Naqsh Rustam; Naqshi Rustam; Naqsh Rostam; Naqshi Rostam; Naqsh-i Rostam; Naghsh Rostam; Naghsh-e Rostam; Naqsh-e Rustam inscription; Naqsh-e Rustam
  • The investiture of [[Ardashir I]]
  • Map of the archaeological site of Naqsh-e Rostam
  • The investiture of [[Narseh]]
  • Valerian]] and [[Philip the Arab]]
  • Cube of Zoroaster]], a cube-shaped construction in the foreground, against the backdrop of Naqsh-e Rostam
  • A 17th-century drawing of Naqsh e Rostam, by [[Jean Chardin]]
  • [[Ka'ba-ye Zartosht]] in foreground, with behind the Tomb of Darius II above Sassanid equestrian relief of [[Bahram II]].
  • The equestrian relief of [[Hormizd II]]
  • The ''grandee'' relief of [[Bahram II]]
  • language=en}}</ref> One of the best preserved is that of [[Xerxes I]].
  • Upper register of the Achaemenid Tomb of [[Xerxes I]]

نقش بارز عالى جـ نقوش      

alto-relievo

alto-relievo         
  • A sunk-relief depiction of Pharaoh [[Akhenaten]] with his wife [[Nefertiti]] and daughters. The main background has not been removed, merely that in the immediate vicinity of the sculpted form. Note how strong shadows are needed to define the image.
  • A face of the high-relief ''[[Frieze of Parnassus]]'' round the base of the [[Albert Memorial]] in London. Most of the heads and many feet are completely undercut, but the torsos are "engaged" with the surface behind
  • Siva]]
  • Life of Christ]]'', c.&nbsp;1350–1365
  • A mid-relief of an [[eagle]] (the [[coat of arms]] of the [[People's Republic of Poland]]), [[Warsaw]] (1955)
  • A common mixture of high and low relief, in the Roman [[Ara Pacis]], placed to be seen from below. Low relief ornament at bottom
  • Low-relief on Roman [[sestertius]], 238 AD
  • A low-relief dating to circa 2000 BC, from the kingdom of [[Simurrum]], modern [[Iraq]]
  • Parthenon Marbles]]. Some front limbs are actually detached from the background completely, while the [[centaur]]'s left rear leg is in low relief.
  • Mohsen Semnani, The Creation story,2000, The entrance room of amphitheater,Isfahan
  • High-relief deities at [[Khajuraho]], India
SCULPTURE CREATED WITH RELIEF TECHNIQUE
Bas-relief; Bas relief; Bas-Relief; Reliefs; Alto-Relievo; Alto-relievo; Bass reliefs; Bas-relieves; Bassorelievo; Basso relievo; Basso-relievo; Egyptian reliefs; Sunken-relief; Hollow-relief; High relief; High-relief; Sunken relief; Hollow relief; Low-relief; Bass-relief; Basrelief; Bassorilievo; Bas-reliefs; Haut relief; Sunk relief; Low relief; Bah relief; Relief sculpture; Relief-bas; Alto-rilievo; Alto rilievo; Sunken-reliefs; Sunken reliefs; Bas reliefs; Basreliefs; High reliefs; Counter-relief; Basso-rilievo; Alto relievo; Basso-Relievo; Basso Relievo; Sunk-relief; Mid-relief; Relief (art); Stone relief; Rilievo schiacciato; Rilievo schicciato
نقش بارز عالى جـ نقوش

ويكيبيديا

Naqsh-e Rostam

Naqsh-e Rostam (lit. mural of Rostam, Persian: نقش رستم [ˌnæɣʃeɾosˈtæm]) is an ancient archeological site and necropolis located about 12 km northwest of Persepolis, in Fars Province, Iran. A collection of ancient Iranian rock reliefs are cut into the face of the mountain and the mountain contains the final resting place of four Achaemenid kings, notably king Darius the Great and his son, Xerxes. This site is of great significance to the history of Iran and to Iranians, as it contains various archeological sites carved into the rock wall through time for more than a millennium from the Elamites and Achaemenids to Sassanians. It lies a few hundred meters from Naqsh-e Rajab, with a further four Sassanid rock reliefs, three celebrating kings and one a high priest.

Naqsh-e Rostam is the necropolis of the Achaemenid dynasty (c. 550–330 BC), with four large tombs cut high into the cliff face. These have mainly architectural decoration, but the facades include large panels over the doorways, each very similar in content, with figures of the king being invested by a god, above a zone with rows of smaller figures bearing tribute, with soldiers and officials. The three classes of figures are sharply differentiated in size. The entrance to each tomb is at the center of each cross, which opens onto a small chamber, where the king lay in a sarcophagus.

Well below the Achaemenid tombs, near ground level, are rock reliefs with large figures of Sassanian kings, some meeting gods, others in combat. The most famous shows the Sassanian king Shapur I on horseback, with the Roman Emperor Valerian bowing to him in submission, and Philip the Arab (an earlier emperor who paid Shapur tribute) holding Shapur's horse, while the dead Emperor Gordian III, killed in battle, lies beneath it (other identifications have been suggested). This commemorates the Battle of Edessa in AD 260, when Valerian became the only Roman Emperor who was captured as a prisoner of war, a lasting humiliation for the Romans. The placing of these reliefs clearly suggests the Sassanid intention to link themselves with the glories of the earlier Achaemenid Empire.